Ittefaq – A sleek murder mystery



An accomplished writer who has travelled from London to Mumbai for his third book launch finds himself as the prime suspect in two murders: That of his wife, who is also the CEO of the publishing house that has brought out his recent book, and a city-based lawyer. Sidharth Malhotra is being chased by the cops on a dreary night on Marine Drive when his car topples and gives him an opportunity to escape. He ends up at Sonakshi Sinha’s house where her lawyer-husband is also murdered. The first 10-15 minutes of Ittefaq build up enough intrigue and set the tone for an engrossing murder mystery, the pace of which does not slacken even for a bit till the end. 

Sidharth and Sonakshi offer conflicting versions of the events that unfolded that night to investigating officer Akshaye Khanna, who has only three days to solve the case. The depiction of what could have actually transpired prior to the murders keeps the viewer glued to the screen and involved in the case even as Khanna goes all out to unravel the truth. His interrogation of the two suspects is the highlight of the film though one wishes there was more of a two-way communication and cross-examination rather than the suspects just trying to prove their innocence.  

There are sub-plots that add to the drama in the thriller. Besides, the milieu of the crime scenes, a rain-soaked Mumbai and the police station give an authentic feel to the movie. The twists and turns happen at a brisk pace, giving a sense of urgency to the investigation, and move the story forward. And there are no songs to hamper the narrative. Ittefaq is a sleek and compact tale of whodunit with no compromises on the production quality. And just when you assume that the case has been solved, emerges another angle, leaving you confused. That’s the beauty of Ittefaq; you are guessing till the end.  

Akshaye Khanna lifts Ittefaq with a superb performance. His understated style and conviction as a no-nonsense police officer, along with his body language, add depth to what could have been some ordinary scenes. Sidharth Malhotra is intense, brooding and vulnerable at the same time. His character has several layers and he effortlessly showcases every emotion to make them look convincing. This wasn’t an easy role to play, but he’s shown a great deal of competence as an actor. He deserves credit for choosing diverse roles with each film and taking on a new challenge even as some of his contemporaries are stuck doing the same thing. Sonakshi’s character is the weakest of the three main protagonists. It could have been fleshed out better and that would have probably given her a greater opportunity to bring something additional to the screen. There’s hardly anything else that one can complain about.   

Murder mysteries or suspense thrillers are not as frequently made in Bollywood as they ought to be. Among those, very few are those that pass the test in all departments. Ittefaq is one of them. 

- Kunal Purandare 

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