Newton - The electoral farce
Newton,
India’s entry to the Oscars, is a satirical take on the country’s electoral
system. Rajkummar Rao is an upright polling officer who is deployed in a Maoist-infested
territory of Chhattisgarh during the Lok Sabha elections, his maiden assignment. His ideals and
principles compel him to set up a polling booth in a remote village although there
are only 76 citizens who are eligible to exercise their fundamental right. Others
around him unfailingly persuade him against entering a dangerous territory, but
he sticks to his ground despite the odds. He believes he can change the system
and mindsets even though he is told on his face that change does not happen
overnight.
The less-than-two-hour film makes a fine commentary
on the farce surrounding the elections in some parts of the country, in this
case Chhattisgarh, where people haven’t even seen an electronic voting machine
before. Many are dragged to the voting centre and told about the various
symbols belonging to different candidates. This is done just in time to paint a
favourable picture to a visiting foreign journalist who claims that India’s
democracy is healthy and alive. Rao is a lone ranger in trying to convince the
villagers that this exercise will eventually bring about a change in the way they live,
but they do not seem to agree and merely cast their votes under duress.
Rao is constantly at loggerheads with Pankaj
Tripathi, who plays an army officer who has seen too many elections in the
violence-hit region to believe anything can be any different this time. Their exchanges
are the highlight of the film with some fine dialogues giving a glimpse into
the attitudes prevalent among those involved in such a mammoth and important
event. While polling ends at 3 pm in the region, circumstances are created for
Rao to leave the jungle way before time only for him to realise later that he
had been taken for a ride all this while. This make him even more determined to
honestly complete the task assigned to him. The end shows how he’s a stickler
for following the rules and how that is surprisingly considered a badge of
honour when it should instead be a given.
Newton
is understated in the message that it tries to convey and even touches on issues
like child marriage and dowry in a subtle manner. The pace of the film,
however, is slow and is not likely to appeal to the masses who veer more
towards entertainers. Besides, the subject is too niche for everyone to understand
the dark humour behind the story. It’s a fine effort in filmmaking, but there’s
a limited audience for such movies. The film though has some brilliant performances.
Rao and Tripathi, especially, are fantastic with their silences and
expressions.
It is unlikely that Newton will win an Oscar and the fact that it is inspired by an
Iranian film now takes away a lot of credit that it otherwise deserves. However,
it’s praiseworthy that there are filmmakers who dare to make such films and
there’s an audience that is lapping it up. Newton
is not an entertainer but an entertaining account of what goes on in the name
of elections.
- Kunal Purandare
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